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Me and my journey through life, from the highest of highs to the lowest of lows and all wacky, funny, deep, depressing and interesting points in between. My interests are varied from one end of the spectrum to another. Basically, the disappointing side of mediocre.
Showing posts with label Patrick Moraz. Show all posts
Showing posts with label Patrick Moraz. Show all posts
Friday, May 10, 2019
Friday, April 5, 2019
Friday, February 8, 2019
Friday, September 7, 2018
Friday, July 13, 2018
Friday and the Random 10 (Friday the 13th Edition)
Friday, May 25, 2018
Friday and the Random 10 (Neal Schon's Afro Edition)
Welcome to a new and improved, simplified and stripped down Random 10!
Here's a picture.
Friday, May 4, 2018
Friday and the Random 10 (Xanadu Edition)
Third time's the charm, right? Welcome to a new and improved, simplified and stripped down Random 10! However in my need to do more I may change the picture from week to week.
Friday, June 9, 2017
Friday and the Random 10 (Surprise Edition)
What's the surprise? That there actually is a random 10 this week. I know it has been awhile, and my work schedule is not very conducive to lots of blogging time. That is something I will be addressing soon. I just never seem to have any time anymore. Me no likey.
Music!
Friday, April 15, 2016
Friday and the Random 10 (Survival Camping Edition)
I am having to prep this post a little ahead of time because I am taking some time off work to do some survival camping with a friend this weekend. And by "survival" I mean no wireless and no internet. There may be electricity, running water, and bathrooms however (when you're a man everywhere is a bathroom! Grunt grunt) so it's not totally roughing it. I just need to get away from tourists and people for awhile, get my line wet and do some fishing.
Next up, on Naked and Afraid...
Next up, on Naked and Afraid...
Friday, March 18, 2016
Friday and the Random 10 (100 Years of Roy Edition)
Okay, yeah I missed another Friday last week (and the one before that too), but I have a really good excuse this time. Most of you may know that I work as an engineer on the Walt Disney World Railroad. One of our steam trains, the Roy O. Disney (Walt's brother), reached its 100th birthday! We had a centennial celebration with special pics in the morning (see below), a BBQ cookout, and then a formal get together later that night at the Contemporary Resort. It was a full day and an event I am proud to say I was a part of. That's me standing on the top of the tender in the middle.
But we are here for music, so let's get back to that:
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Monday, October 14, 2013
Music Monday (Yes/Relayer, Side 1)
First of all, I haven't done this in awhile. As a matter of fact, the last time was back in June when I covered the last side of Tales from Topographic Oceans. That album caused such a stir in the band that Rick Wakeman left (for the first time).
For the next album, Relayer, the band auditioned several prospective replacements, the closest contender being the Greek keyboardist Vangelis (from Chariots of Fire fame). He did not become a member of Yes, but these auditions paved the way for several future collaborations between Vangelis and Jon Anderson. The band finally chose Swiss-born Patrick Moraz, as a replacement while Relayer was well into production. The album title comes from the lyrics of "The Remembering (High The Memory)" from Tales from Topographic Oceans.
Relayer has the same song format as 1972's Close to the Edge - a long epic on the first side, and two nine-minute pieces on the second - but employs a radically different musical style. "The Gates of Delirium" is a dense, 22-minute piece that was inspired by Leo Tolstoy's War and Peace. It features lyrics about the futility of war and a lengthy instrumental middle section portraying 'battle' with galloping rhythms, martial melodies, dissonant harmonies, and clashing sound effects. The final section, in which the drive of the previous sixteen minutes is replaced by a gentle melody and a lyrical prayer for peace, was released as a US single under the title "Soon".
For the next album, Relayer, the band auditioned several prospective replacements, the closest contender being the Greek keyboardist Vangelis (from Chariots of Fire fame). He did not become a member of Yes, but these auditions paved the way for several future collaborations between Vangelis and Jon Anderson. The band finally chose Swiss-born Patrick Moraz, as a replacement while Relayer was well into production. The album title comes from the lyrics of "The Remembering (High The Memory)" from Tales from Topographic Oceans.
Here is the Roger Dean cover:
Relayer Side 1
The Gates of Delirium
This song is another epic masterpiece that has to be experienced, not just listened to. To me, this is the first album of theirs that really sounded "futuristic" and in some ways it's a shame it is the only Yes album that Patrick Moraz was on.
The finale section (Soon) may be the most beautiful music Yes has ever produced.
Stand and fight we do consider
Reminded of an inner pact between us
That's seen as we go
And ride there
In motion
To fields in debts of honor
Defending
Stand the marchers soaring talons,
Peaceful lives will not deliver freedom,
Fighting we know,
Destroy oppression
The point to reaction
As leaders look to you
Attacking
Choose and renounce throwing chains to the floor.
Kill or be killing faster sins correct the flow.
Casting giant shadows off vast penetrating force
To alter via the war that seen
As friction spans the spirits wrath ascending to redeem.
Wars that shout in screams of anguish,
Power spent passion bespoils our soul receiver,
Surely we know.
In glory
We rise to offer,
Create our freedom,
A word we utter,
A word.
Words cause our banner, victorious our day.
Will silence be promised as violence display?
The curse increased we fight the pow'r
And live by it by day.
Our gods awake in thunderous roars,
And guide the leaders hand in paths of glory to the cause.
Listen, should we fight forever
Knowing as we do know fear destroys?
Listen, should we leave our children?
Listen, our lives stare in silence;
Help us now.
Listen, your friends have been broken,
They tell us of your poison; now we know.
Kill them, give them as they give us.
Slay them, burn their children's laughter
On to hell.
The fist will run, grasp metal to gun.
The spirit sings in crashing tones,
We gain the battle drum.
Our cries will shrill, the air will moan and crash into the dawn.
The pen won't stay the demon's wings,
The hour approaches pounding out the Devil's sermon.
(Soon)
Soon, oh soon the light,
Pass within and soothe this endless night
And wait here for you,
Our reason to be here.
Soon, oh soon the time,
All we move to gain will reach and calm;
Our heart is open,
Our reason to be here.
Long ago, set into rhyme.
Soon, oh soon the light,
Ours to shape for all time,
Ours the right;
The sun will lead us,
Our reason to be here.
Soon, oh soon the light,
Ours to shape for all time,
Ours the right;
The sun will lead us,
Our reason to be here.
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