Front Cover by Roger Dean |
Bowing to record company pressure to resurrect the Yes banner, Squire and Anderson came up with the idea of merging both projects, which resulted in the 1991 album Union. The result was a mix match of songs from all over the place.
- "Masquerade" was a solo piece Howe had recorded some time before, included at the last minute when the record company requested a solo guitar piece from him. It earned the album a Grammy nomination for Best Rock Instrumental Performance.
- "The More We Live" was the product of a new writing partnership between Chris Squire and Billy Sherwood, who had briefly been considered as replacement for Jon Anderson in the Rabin-led version of Yes.
- "Lift Me Up", "Saving My Heart" and "Miracle of Life" were largely demos. Rabin had been planning to record them properly and was taken by surprise that they were used as they were, with vocals from Anderson added.
- "Evensong" was a version of Bruford and session bassist Tony Levin's duet from the ABWH tour.
- The ABWH project attempted a second, follow-up album that never materialized, and, from the long set of demos called Dialogue, the only surviving piece to make it onto Union was "Take the Water to the Mountain".
- Both the main riff of "I Would Have Waited Forever" and the 9/4 riff in "Silent Talking" can be heard on Steve Howe's solo album Turbulence, released about the same time.
- "Lift Me Up", became Yes' biggest hit on Billboard's Album Rock Tracks chart, reaching the top spot and remaining there for six weeks in early 1991.
Wakeman, Bruford and Howe would depart the sprawling line-up in 1992, returning Yes to its 1983-1988 line-up. Union would be the final Yes album with Bill Bruford, and would be the last album with Steve Howe and Rick Wakeman until their return in 1996.
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